Recent Episodes
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Brass Instruments
Mar 8, 2010 – 00:00:52 -
Transcript -- Brass Instruments
Mar 8, 2010 – -
How Brass Instruments Work
Nov 10, 2008 – 00:07:09 -
Transcript -- How Brass Instruments Work
Nov 10, 2008 – -
Changing Key and Pitch
Nov 10, 2008 – 00:06:52 -
Transcript -- Changing Key and Pitch
Nov 10, 2008 – -
Mechanical Innovation : Keys
Nov 10, 2008 – 00:02:18 -
Transcript -- Mechanical Innovation : Keys
Nov 10, 2008 – -
How Valves Work
Nov 10, 2008 – 00:03:27 -
Transcript -- How Valves Work
Nov 10, 2008 – -
Compensating Systems
Nov 10, 2008 – 00:02:25 -
Transcript -- Compensating Systems
Nov 10, 2008 – -
Survival of the fittest
Nov 10, 2008 – 00:03:36 -
Transcript -- Survival of the fittest
Nov 10, 2008 – -
Development of the Trumpet
Nov 10, 2008 – 00:02:33 -
Transcript -- Development of the Trumpet
Nov 10, 2008 – -
The Performer's Perspective
Nov 10, 2008 – 00:03:16 -
Transcript -- The Performer's Perspective
Nov 10, 2008 – -
Physics of Brass Instruments
Nov 10, 2008 – 00:07:27 -
Transcript -- Physics of Brass Instruments
Nov 10, 2008 – -
Experiments in Acoustics
Nov 10, 2008 – 00:03:54 -
Transcript -- Experiments in Acoustics
Nov 10, 2008 – -
Brass Instrument Development
Nov 10, 2008 – 00:01:23 -
Transcript -- Brass Instrument Development
Nov 10, 2008 – -
Historical Craftsmanship
Nov 10, 2008 – 00:17:02 -
Transcript -- Historical Craftsmanship
Nov 10, 2008 – -
Manufacture and Mass Production
Nov 10, 2008 – 00:03:43 -
Transcript -- Manufacture and Mass Production
Nov 10, 2008 – -
Future Brass Instrument Technology
Nov 10, 2008 – 00:03:23 -
Transcript -- Future Brass Instrument Technology
Nov 10, 2008 –
Recent Reviews
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Bookworm3451Fails to include a lot of materialFrom the material: "The way in which the player can control the sound of a brass instrument with the lips is fascinatingly complex and not scientifically understood fully." This course completely ignores the fact that the tongue level in the mouth and the pressurization of air are both involved in tone production and manipulation. This is a serious flaw. Principles of air dynamics should be discussed, at least peripherally (and this has been studied extensively in many instruments, not just brass). If you weren't a brass player, you'd leave this course thinking that all brass players do is buzz their lips to play their instruments. If you're interested in learning more, look at the trumpet instruction books by Claude Gordon. Generally, this is a very superficial and disappointing treatment of the material.
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